Kota Artist
Gabon
Wood, copper, brass
The Kota and related peoples preserved the relics of honored ancestral leaders in
baskets guarded by reliquary figures, believing that their strength and wisdom
survived after death in their remains. Affixed to the baskets, the figures were carved
from a single piece of wood and covered in metal. The metals attached to the
surfaces of the reliquary figures helped avert evil spirits and added prestige because
of their great value. Ancestors were contacted to ensure the well-being of individuals
as well as the village, and in times of great distress all mbulu ngulu were brought
together to combine the power of all the important dead.
In contrast to the figurative reliquary guardians of other African cultures, the Kota
guardians appear abstract. A large ovoid head with minimal facial features rests on a
lozenge shape that represents the arms of a truncated body. The forms projecting
from the top and sides of the face correspond to men's elaborate hairstyles or
headwear, and some figures, such as the present example, have iron accents and
ear ornaments. Size may indicate function. Large, Janus-faced figures are thought to
have guarded the relics belonging to an extensive lineage group, while smaller ones
guarded those of families or individuals. It is unknown whether one side represents a
female and the other a male—though some have supposed that concave faces
represent females and convex males.
The present example is an exceptionally fine example of early manufacture. Its slightly
concave face is punctuated by a central nose and round, protruding eyes. A thick
sheet of punched metal covers the vertical and horizontal axes of the face, while
carefully cut thin bands of copper have been laid down along the diagonal axes. The
curved coiffure, also covered with a punched sheet of metal is connected to the side
flanges, whose metal coverings have been incised with a cross-hatched pattern.
Provenance
Collection Joseph Laporte (1892-1944), Bordeaux, France, until 1929
Collection The University Museum, University of Pennsylvania, Pennsylvania, USA, inventory no. 29-12-222, acquired from the above in 1929
Private Collection, Vancouver, Canada
Collection Adrian Schlag, Brussels, Belgium
Montagut Gallery, Barcelona, Spain, 2026
Private Collection, Belgium, acquired from the above
Publications
Plass, Margaret, "African Negro Sculpture", in The University Museum Bulletin, University of Pennsylvania, Philadelphia, 1957:51
