Kota Artist
Gabon
Wood, copper, brass
The Kota and related peoples preserved the relics of honored ancestral leaders in
baskets guarded by reliquary figures, believing that their strength and wisdom
survived after death in their remains. Affixed to the baskets, the figures were carved
from a single piece of wood and covered in metal. The metals attached to the
surfaces of the reliquary figures helped avert evil spirits and added prestige
because of their great value. Ancestors were contacted to ensure the well-being of
individuals as well as the village, and in times of great distress all mbulu ngulu were
brought together to combine the power of all the important dead.
In contrast to the figurative reliquary guardians of other African cultures, the Kota
guardians appear abstract. A large ovoid head with minimal facial features rests on
a lozenge shape that represents the arms of a truncated body. The forms projecting
from the top and sides of the face correspond to men's elaborate hairstyles or
headwear, and some figures, such as the present example, have iron accents and
ear ornaments. Size may indicate function. Large, Janus-faced figures are thought
to have guarded the relics belonging to an extensive lineage group, while smaller
ones guarded those of families or individuals. It is unknown whether one side
represents a female and the other a male—though some have supposed that
concave faces represent females and convex males.
The present example is in classic Kota style, with a slightly concave oval face,
round eyes extending forth in conical protrusions, a curved coiffure, and lateral
flanges ending in horizontal lines.
Provenance
Inna and Boris Salomon Collection, Paris, France, acquired in the 1960s
Christie's Paris, Une Passion Surrealiste: Collection Inna and Boris Salomon , 30 March 2022, lot no. 25
Alissia Vis Van Heemst Collection, Brussels, Belgium
