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Open a larger version of the following image in a popup: Kota Artist, Late 19th-early 20th century

Kota Artist

Late 19th-early 20th century
Reliquary Figure
Gabon
Wood, copper, brass
Height: 21 1/2 in (54.5 cm)
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The Kota and related peoples preserved the relics of honored ancestral leaders in baskets guarded by reliquary figures, believing that their strength and wisdom survived after death in their remains....
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The Kota and related peoples preserved the relics of honored ancestral leaders in

baskets guarded by reliquary figures, believing that their strength and wisdom

survived after death in their remains. Affixed to the baskets, the figures were carved

from a single piece of wood and covered in metal. The metals attached to the

surfaces of the reliquary figures helped avert evil spirits and added prestige

because of their great value. Ancestors were contacted to ensure the well-being of

individuals as well as the village, and in times of great distress all mbulu ngulu were

brought together to combine the power of all the important dead.

In contrast to the figurative reliquary guardians of other African cultures, the Kota

guardians appear abstract. A large ovoid head with minimal facial features rests on

a lozenge shape that represents the arms of a truncated body. The forms projecting

from the top and sides of the face correspond to men's elaborate hairstyles or

headwear, and some figures, such as the present example, have iron accents and

ear ornaments. Size may indicate function. Large, Janus-faced figures are thought

to have guarded the relics belonging to an extensive lineage group, while smaller

ones guarded those of families or individuals. It is unknown whether one side

represents a female and the other a male—though some have supposed that

concave faces represent females and convex males.

The present example is in classic Kota style, with a slightly concave oval face,

round eyes extending forth in conical protrusions, a curved coiffure, and lateral

flanges ending in horizontal lines.

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Provenance

Inna and Boris Salomon Collection, Paris, France, acquired in the 1960s

Christie's Paris, Une Passion Surrealiste: Collection Inna and Boris Salomon , 30 March 2022, lot no. 25

Alissia Vis Van Heemst Collection, Brussels, Belgium

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