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Open a larger version of the following image in a popup: Luba Artist, Late 19th-early 20th century
Open a larger version of the following image in a popup: Luba Artist, Late 19th-early 20th century
Open a larger version of the following image in a popup: Luba Artist, Late 19th-early 20th century

Luba Artist

Late 19th-early 20th century
Figure
Democratic Republic of Congo
Wood, iron, copper, organic material
Height: 13 in (33 cm)
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Further images

  • (View a larger image of thumbnail 1 ) Luba Artist, Late 19th-early 20th century
  • (View a larger image of thumbnail 2 ) Luba Artist, Late 19th-early 20th century
  • (View a larger image of thumbnail 3 ) Luba Artist, Late 19th-early 20th century
Prosper Philippe Augouard was a Holy Ghost Fathers (CSSp) missionary to central Africa. Born in Poitiers, France, Augouard joined the Holy Ghost Fathers as a missionary, becoming an intrepid explorer....
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Prosper Philippe Augouard was a Holy Ghost Fathers (CSSp) missionary to central Africa. Born in Poitiers, France, Augouard joined the Holy Ghost Fathers as a missionary, becoming an intrepid explorer. In 1879 he made a 27-day march to the interior of central Africa, arriving five days after Henry Stanley at Stanley Pool, springboard for subsequent missionary expansion. He charted the Congo and Ubangi rivers, earning a Paris Geographical Society prize, and established mission stations along 1,300 miles of the Congo River. In 1890 he became bishop and vicar apostolic of Ubangi-Chari (the Republic of Central Africa), and in 1915, archbishop.


Augouard explored and claimed territory three times the size of France, “with crucifix and national flag,” persuading local rulers to accept French patronage. His nationalism antagonized Stanley and his patron, the king of Belgium, and when the conference of Berlin (1885) established the Belgian Congo, French Catholic missionaries were replaced by Belgians. His empire-building was sometimes undisguised, and his nationalism was judged inexcusable, although he did denounce excessive French oppression. Described as impulsive and intransigent by his spiritual director, and considered abrupt, blunt and patronizing, he was a flawed though tireless missionary. He was nicknamed Cannibal Bishop (a crude reference to his flock) and Diata-Diata (quick-quick) for his rapid expansion. In his final years he returned to Paris and died at the Mother House.

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Provenance

Collected by Father Prosper Philippe Augouard (1852-1921) in 1890-1900

Ex collection Lucien van de Velde, Antwerp

Ex Pierre Dartevelle, Brussels

Ex private collection, USA

Publications

Constantine Petridis. Art and Power in the Central African Savanna. Cleveland, Brussels: The Cleveland Museum of Art, Mercatorfonds, 2008. P. 50, cat. 27

Exhibitions

Art and Power in the Central African Savanna: Luba, Songye, Chokwe, Luluwa.

The Menil Collection, Houston, Texas. 26 September – 4 January 2009

The Cleveland Museum of Art, Cleveland, Ohio. 1 March – 7 June 2009

de Young Museum, Fine Arts Museums of San Francisco. 27 June – 11 October 2009

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